35 mm (anamorphic) (Eastman) 70 mm (Eastman) Technicolor Dye Transfer prints (35mm, anamorphic) 16 mm. . . The height which is always the critical dimension -is the same, but there is a difference in width of 1.5 over all. Pada tahun 2001 . A refinement of MGM 65. . "When I saw the Panavision Primo 70s, I could see a difference, because they maintained the resolution of the big formats," says Prieto. . Answer (1 of 3): I usually go for 2.39:1 as movies don't generally get shot in any aspect ratio greater than that these days. Increased resolution + sensor size = increased magnification (improving field of view and depth of field characteristics) . The photochemical film restoration was overseen by esteemed film preservationist Robert . . . Despite all these, it is the overall satisfaction . Panavision recently introduced a new line of Primo 70 lenses optimized to work with today's larger sensor digital cameras. The Panavision 70s were reportedly those used on "Lawrence of Arabia," a title long revered by camera pros. the system 65 camera, an update of super panavision 70 introduced shortly after the appearance of the wide-gauge arri 765 in 1989, was also used on paul thomas anderson's the master (2012)—a curio in that it uses a format which has traditionally been reserved for large-scale costume epics for a rather intimate actors' duet—and is a favorite of … In the 1970 the very costly 70mm process was rarely used for feature films, but sometimes for special effects. - Ice Station Zebra (1968 ) - Super Panavision 70 (shooting started in Ultra Panavision 70 then switched to Super Panavision 70); shown in 70 mm Cinerama - Airport (1970) . Super Panavision 70. Printed Film Format. Boston Light & Sound® helps revive Super Panavision 70 for projecting Christopher Nolan's visionary WWII film When director/writer/producer Christopher Nolan set out to create his film chronicling the mass evacuation of allied troops from the beaches of Dunkirk, he insisted on filming in IMAX 70mm. Ultra Panavision saw much less use than its sibling, the more popular Super Panavision 70, and was only used on ten films from 1957 to 1966. As sensors have a better resolution and dynamics, the same camera can be used . The 2001: A Space Odyssey film was shot on Super Panavision 70mm format, and thus was suitable to be scanned to produce the ultra high resolution 8K imagery. My Fair Lady is a mesmerizing showcase for UHD's benefits. Can someone explain to me the purpose of using Ultra Panavision 70 for a film shot largely in one interior? The full aspect ratio of Panavision 35 is 2.35, whereas the full aspect ratio of the 70mm print-up is 2.2. I only ever saw Zhivago at its initial 35mm release in 1966 at the St. You might recall that classic movies like Lawrence of Arabia and West Side Story were shot in 70mm on the Super Panavision 70 camera and projected in 70mm at special roadshow screenings . • More resolution looks more like film, according to DP Peter Deming. The DXL2 builds on the success of the Millennium DXL and is the direct result of feedback from cinematographers who were using the DXL.. Here is just a mere taste of what is covered in the Panavision Primo 70 Series Sensor Size & Perspective White Paper: . 65mm . Chitty Chitty Bang Bang (1968), Super Panavision 70 The garishly goofy title role was played by a total of seven automobiles: one for flying scenes, one for water scenes, one a complete ruin, one in pristine condition and three partial models. There have been other aspect ratios in between — 1.37:1 (Academy Ratio), 2.59:1 (Cinerama), 2.35:1 (CinemaScope), 2.2:1 (Super Panavision 70), 1.43:1 (IMAX), and more. The movie was originally shot on super panavision 70 which is a film format roughly twice the size of regular 35mm film stock so the detail and resolution are astounding, I own the DVD version of this film and the quality of that image is excellent but the transfer here on the Blu ray takes the image quality to a whole new level, its quite . SUMMARY: PUTTING IT ALL TOGETHER Think about it for a sec. The resulting images are similar to an Ultra Panavision 70 1.3x squeeze look - maintaining traditional flares, vertical bias, and the organic nature associated with anamorphic . . Here is what we know so far about the camera: The camera will feature on-board recording via an SSD, perhaps 1.5Tb It will feature a Titanium body, and should be a couple of pounds lighter than the Arri Alexa. We should distinguish between high-resolution central and low-resolution peripheral vision. Patton (1970), Dimension 150 The World War II-era biopic was the . 1.896:1 = DCI / SMPTE digital cinema basic resolution container aspect ratio; 2.00:1 (Super Panavision 70, Technirama) = Merupakan ukuran superscope asli yang digunakan sebagai rasio flat di beberapa studio Amerika pada 1950-an, ditinggalkan pada tahun 1960, tetapi baru-baru ini dipopulerkan lagi oleh sistem kamera Red One. Robert Richardson, who resurrected the Ultra Panavision 70 film format on "The Hateful Eight," shot his most recent assignment, "Live by Night," using the Alexa 65 and Super Panavision 70 and Sphero 65 lenses. 'Lawrence of Arabia', directed by auteur, David Lean, is based on the true . Figures in windows of spaceships, patterns in the star gate . The new Panavision Ultra Vista lens covers the full frame of current 8K sensors with a 1.65x squeeze, offering a true 4K image area on all large format sensor cameras. "Samsara" - in Panavision System 65: Read more at in70mm.com The 70mm Newsletter: Written by: Mark Magidson & Ron Fricke, Hollywood, USA Date: 26.04.2008: Samsara is a Tibetan word that means "The ever turning wheel of life", a concept both intimate and vast, obvious and oblique, the perfect subject for filmmakers Mark Magidson and Ron Fricke who have awed us with exquisite images of the . Native resolution and aspect ratio on TV screens . However, Ultra Panavision 70 was extremely rare and has only been used on a handful of . Super Panavision 70 and Todd-Ao are essentially the same process and have the same aspect ratio (2.20). Super Panavision 70 was the marketing brand name used to identify movies photographed with Panavision 70 mm spherical optics between 1959 and 1983. . When director/writer/producer Christopher Nolan set out to create his film chronicling the mass evacuation of allied troops from the beaches of Dunkirk, he insisted on filming in IMAX 70mm. It is the same aspect ratio when using a 1.5X Iscorama on full frame sensor when shooting . Here is just a mere taste of what is covered in the Panavision Primo 70 Series Sensor Size & Perspective White Paper: . . Setting a high bar for full-frame sensors: Super Panavision 70 camera . The two-week roadshow. . Paramount decided to increase the size of the image for achieving less grain by using the 35mm film on the horizontal position on the film gate, using 8 perforations and a 1.85:1 aspect ratio. Motion pictures photographed in Super Panavision 70 & Panavision System 65 • "70mm film like anything has its advantages and disadvantages. The DXL2 however is not all about resolution, but also colour fidelity. Besides that, there's just too much distracting scenery. Bucking the recent trend to take a lower resolution imager and interpolate to a higher resolution, the Panavision camera utilizes an oversampling technique to output a full bandwidth 19 megapixel RGB image from the available 25 million photo-sites. The Todd-AO Company also offered a 35 mm anamorphic process technically similar to 35 mm Panavision or CinemaScope. Aside from scale and resolution, Todd-AO was notable for . Of all the various gimmicks the industry tried in the 1950s to attract audiences back to theaters, widescreen formats were the most successful. While many of us enjoy the anamorphic look, it's nice to have the option of the spherical look, with less distortion and higher resolution but the same depth of field. To get the same Field of View in Super 35 . Cinematographic Process. evident with the smaller Super 35 formats of the Arri Alexa, Sony F55 and . • Digital resolution is a powerful creative tool. thanks to lenses such as the "vintage" Super Panavision 70 or the anamorphic flavour of the Ultra Panavision 70 series. As most cinephiles already know, 2001 was shot photochemically on 65 mm film in Cinerama, Todd-AO, and Super Panavision 70 formats using Mitchell and Panavision cameras. Sometimes Super Panavision 70 was advertised as "Presented in 70mm Cinerama", which meant that a 70mm-print would be projected on the same giant curved screen which was originally made for the 3-strip Cinerama system. Super Panavision 70 is the marketing brand name used to identify movies photographed with Panavision 70 mm spherical optics between 1959 and 1983.. Ultra Panavision 70 was similar to Super Panavision 70, though Ultra Panavision lenses were anamorphic, which allowed for a significantly wider aspect ratio. It is particularly appropriate for those films that are set in locations of outstanding natural beauty. Few films have benefited from the increased resolution, enhanced dynamic range, and most importantly the wider color gamut of our current home video standards nearly so much as this one. It is expected to record DNxHD and ProRes, in RGB and maybe RAW. It would take 16K to match the vertical resolution of IMAX film. Aspect ratio: 2.20. The Super Panavision 70 camera and projected in 70 mm at special road show screenings is the terrifying movie which is pictured in 70 mm with the name of the movie being . Many of the movie houses that were built during the heyday of 65/70mm had screens that were 2.00 AR. LAWRENCEOFARABIA (1962) is restored and to be presented in glorious 70 mm again! Super Panavision 70/Ultra Panavision 70 Systems. Super Panavision 70. The problem is that because a digital camera can be moved any which way in the software we use, we get carried away. Vista Vision & Super Panavision 70 : formats for spectacular movies. using large-format sensors and Super Panavision 70 and Sphero 65 lenses. Winner of 7 academy awards, including best picture. Both used six channel magnetic stereo sound. Leave Ben Hur at 2.76. The movie Mackenna's Gold, released in 1969 and directed by J. Lee Thompson, was shot on film using Super Panavision-70 Camera with Joseph MacDonald as cinematographer and editing by Bill Lenny. . Ultra Panavision 70 was created through a joint production between MGM and Panavision to compete with Fox's highly successful CinemaScope. Similar to Todd-AO, Ultra Panavision 70 used the 65/70 method of processing the negative; however, it utilized a new type of lens that used two prisms in addition to the anamorphic lens. The sensor can be windowed down to 42mm and 35mm formats. For this new 4K Ultra HD release, the film was scanned from the original camera negative (and presumably the master internegative for optically-printed VFX shots) in 8K . Super Panavision 70 (1959). When used these days by some filmmakers, these aspect ratios are more a stylistic choice. You could therefore say that if a 24mm wide piece of film negative resolves3.2K, for example, a 36mm wide piece of film (VistaVision) would resolve 4.8K,and a 52mm wide piece of film (5-perf 65mm Super Panavision / Todd-AO) wouldresolve 6.9K, and a 70mm wide piece of film (15-perf 65mm IMAX) would resolve9.3K. The original DXL was introduced back in June 2016, and it has been used on over 20 feature films . He also said it looked grainy and not very sharp. David Lean's original composition. As used in cameras, the film is 65 mm (2.6 in) wide. To get the same Field of View in Super 35 . Lawrence of Arabia was shot on 65mm Eastman 50T 5250 and shown in Super Panavision 70 with an aspect ratio of 2.20:1. Movies like West Side Story, My Fair Lady, and 2001 were all shot in Super Panavision 70, and they're sharp as a pin. November 26, 2015. by rapidotechnology. I actually prefer Super Panavision, because I'm convinced the anamorphic lenses are soft and distort the picture. "Shot in Super Panavision 70, the film's larger frame size - nearly double that of standard 35mm film - offers remarkable resolution. Although the Primo 70s offer optical qualities that go far beyond the resolution of these sensors, these . Panavision appeared on the scene a year or two after CinemaScope, and eventually offered three techniques: ordinary Panavision, which uses a 2.35:1 anamorphic lens to squeeze a wide image onto a 35mm negative; Ultra Panavision, with 1.25:1 lens and a 65mm negative; and Super Panavision, with an ordinary 1:1 lens and a 65mm negative. Panavision turned to one of its old cameras designs, the 1959 Super Panavision 70, used to film the multi-Oscar winner 'Lawrence of Arabia' (directed by David Lean), a feature first released in 1962, and recently restored to be shown on 4K projection systems. "The Fall of the Roman Empire" - ph: Robert Krasker Much as VistaVision sought to improve resolution and quality by running 35mm film horizontally through the camera and . The movie 2001: A Space Odyssey, released in 1968 and directed by Stanley Kubrick, was shot on film using Super Panavision-70 Camera with Geoffrey Unsworth as cinematographer and editing by Ray Lovejoy. CG camera motion is much different to the very elegant, almost imperceptible motion created with a physical 1960s era Super Panavision-70 camera! This may cause some confusion if a Todd-AO credit (not necessarily the more specific Todd-AO 35 credit) appears in some widescreen films made in the 1970s and 1980s. high-resolution motion pictures. "I was able to open up the lens to T2 or T2.8, and the fall-off and shallow depth of field was really beautiful. . Todd-Belock 8-channel Sound, which used a control signal to "steer" the single surround channel to three surround tracks (right wall, left wall and rear wall). The Big Fisherman (1959) USA - Super Panavision 70 The March of Todd-AO (1959) USA - Short/Todd-AO/ BLU-RAY (Oklahoma! Stars: Julianne Moore, Clive Owen, Jennifer Jason Leigh, Dane DeHaan. | Panavision recently introduced a new line of Primo 70 lenses optimized to work with today's . Those damned windows are still there to distract the viewer and the limited resolution leaves them even more hungry to find out what's behind . Digital Intermediate (4K) (2012 re-release) (2020 remaster) Dolby Vision. . with every landscape views Tarantino writes 'A BREATHTAKING 70MM FILMED MOUNTAIN ROUNGE' and 'BIG 70MM SUPER . A recent article on EOSHD brought my interests on this wider aspect ratio, 2.76:1 which is one of the widest aspect ratio ever used in commercial cinema. The best way you can not lose any information is capture your footage with an anamorphic lens adapter, which will apply a 1.33 horizontal squeeze to your default 16:9 fram. The recorded frame size is 3840 x 1620 x 3 (RGB) or 18,662,400 pixels. . Robert Richardson, who resurrected the Ultra Panavision 70 film format on "The Hateful Eight," shot his most recent assignment, "Live by Night," using the Alexa 65 and Super Panavision 70 . It simply won't fit on television. He saw Lawrence of Arabia and Doctor Zhivago back to back and felt that the quality of Zhivago paled when compared to Lawrence. . With 16-bit capture, despite the whopping resolution (each 8192 x 4320 frame is roughly 35.5 megapixels), the camera claims a dynamic range of 15 stops and a top frame rate of 60fps in full 8K as well as 75fps in 8K when cropping the 8192×4320 frame to a 2.4:1 ratio at 8192×3456. VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format which was created by engineers at Paramount Pictures in 1954. . It would take 8K to match Super Panavision 70. Offering a resolution of only 1920X1080 that had to be cropped down to 1920X817 for widescreen, this camera showed that digital had a long way to go before surpassing the quality that film offered. With that being said, it also showed that digital was at least potentially viable in the future (a short-lived, higher resolution widescreen process developed by Paramount in the mid-1950s), 'North by Northwest' is a natural for a Blu-ray makeover, and its . Shot on 65mm film with classic Panavision lenses in the widest aspect ratio of 2.76:1, this marks the first anamorphic 70mm theatrical release in nearly 50 years. This allows for a more gradual blending of complex colors. Panavision has unveiled the new Millennium DXL2 8K camera.The large-format camera uses the RED MONSTRO 8K VV sensor, and Light Iron color2 science (LiColor2). It would take 12K to match the horizontal resolution of IMAX film. The entire world was shook by the grandeur of this film, precisely of the desert of middle east, photographed in 'Super Panavision 70'. an angle of about 45 degrees, with Perspective corresponding to roughly a 40mm lens. . The other 70mm systems used for single film Cinerama (Sovscope 70 and MCS-70) were similar to Super Panavision 70. . When film producer Shannon Macintosh approached Boston Light & Sound (BL&S) to provide 70mm film dailies for Quentin Tarantino's The Hateful Eight, little did they know this would evolve into the largest project they'd ever tackled: Presenting a movie in the grandeur of 70mm film in 100 theatres across North America. Votes: 5,158. Panavision Millennium DXL2 / Shot on Panasonic GH5s. 70 mm film (or 65 mm film) is a wide high-resolution film gauge for motion picture photography, with negative area nearly 3.5 times larger than the standard 35 mm motion picture film format. Ultra Panavision [70] used an anamorphically squeezed image on a 65mm negative and 70mm print to project a picture with a ratio of 2.76:1. Answer (1 of 6): Film doesn't really have a resolution, it does have a grain size which limits the quality and that can limit the resolution which can be transferred when it is converted from film to a digital format. 2.76:1 and Ultra Panavision 70. It was replaced for production by single-camera systems like Ultra Panavision 70 and Super Technirama 70 (used for things like 2001: . The pin-sharp resolution looks astonishing, and the aspect ratio allows for an expansive field that allows the immaculate production design to breathe and show off. shot beautifully on 65mm film using the Panavision Super 70 system. . the benefits of being able to extract every bit of detail from the 8K scan of the original 65mm negative and Super Panavision 70 process. (If you want to be the ultimate overachiever, Panavision makes anamorphic lenses for the 70mm format.) supplement) Scent of Mystery (1960) USA - Todd-70 and Smell-O-Vision. an angle of about 45 degrees, with Perspective corresponding to roughly a 40mm lens. giving it an area three times larger than a Super-35 frame - to deliver a . The resolution, color, etc are projected with two projectors of similar clarity uniting into one image at the end. Tarantino's "The Hateful Eight" will be the first movie shot in 70mm Ultra Panavision since "Khartoum" in 1966. . Dunkirk Premiere: BL&S helps revive Super Panavision 70 for projecting Christopher Nolan's visionary WWII film . Posted on November 26, 2015. If you are attending BSC Expo tomorrow February 3rd, . Oversampling is the new workflow. a vintage 70mm Blow-up recently at the Oslo 70mm Film Festival at Oslo, Norway. Starring | Gregory Peck, Omar Sharif, Telly Savalas, Camilla Sparv. "Making a very slow, intricate camera move to answer the brief proved tricky. Digital Super 35mm/Panavision Super 70 Hybrid: Filmed with the Alexa 65 equipped with Panavision H-Series Spherical Primes, Sphero 65 Primes, Leitz Thalia Primes and Tribe7 Blackwing7 Primes, shot by Darius Khondji ASC AFC. WQHD (Wide Quad HD), or 1440p, is a display resolution of . 10 great films shot in 70mm With directors such as Paul Thomas Anderson and Quentin Tarantino resurrecting the joys of large-format celluloid, we revisit those milestones of 70mm movie-making whose pleasures just cry out for the big screen. It's easily one of the sharpest and clearest movies ever . In the following Q&A, Dan Sasaki, Panavision's VP of Optical Engineering, talks about the thought processes and technological breakthroughs that led to the Primo 70 lenses. The anamorphic lenses of Ultra-Panavision yields a wider picture, but . (5/70) (Todd-AO, Super Panavision) 4.2 Ultra Panavision 70 (MGM Camera 65) 4.3 Showscan; 4.4 IMAX (15/70) 4 . We should distinguish between high-resolution central and low-resolution peripheral vision. It must be .10 better than Super Panavision! Panavision Primo 70 Series *4P24 in prototype stage, available early 2015 All front diameters: 4.44" / 112/8mm (except 4PZT which is 4.98" / 126.5mm) . Within a few years, various widescreen processes (like Super Panavision 70 and Paramount's VistaVision) made widescreen films standard throughout the industry. Some films being transferred from film to UHD are really not 4K, in some cases. . Smooth 8K Resolution When starting with an 8K resolution image, magnification increases. The same thing use to happen with TODD/AO and Super Panavision 70. Starring | Keir Dullea, Gary Lockwood, William Sylvester, Daniel Richter. Some films were shot in the somewhat lower resolution Super Technirama 70 process for Cinerama release, including Circus World (1964) and Custer of the West (1967). Ultra Panavision 70 and MGM Camera 65's anamorphic lenses compressed the image 1.25 times, yielding an extremely wide aspect ratio of 2.76:1 (when a 70 mm projection print was used). Filmed in Super Panavision 70, the 65mm camera negative was carefully scanned at 8K resolution for a brilliant 4K film transfer bestowed with an excellent HDR tuning in lovely 12-bit Dolby Vision. Robert Richardson, who resurrected the Ultra Panavision 70 film format on "The Hateful Eight," shot his most recent assignment, "Live by Night," using the Alexa 65 and Super Panavision 70 . With increased magnification, perspective cues become more pronounced and a wide dynamic range allows greater transition from highlights to shadows within the scene. 70 mm film (or 65 mm film) is a wide high-resolution film gauge for still and motion picture photography, with higher resolution than the standard 35 mm motion picture film format. . Also, 8K offers the feel of anamorphic depth-of-field in a flat format. Generally speaking, the rule of thumb is that 35mm is equivalent to HD - 4K range, and 70mm to 8K till IMAX. While these films initially look different, there are commonalities: they are soft yet full of . Serviced by Panavision New York. Directed by | J. Lee Thompson. The spherical lenses of Super Panavision 70 resulted in higher resolution than 35mm 'scope but narrowed the aspect slightly, and the process was prohibitively expensive to boot. Panavision Super Panatar lenses, Primo 70 glass, Sphero 65 . And since proper IMAX has a huge screen height, all of that vertical resolution is important. Yet 2.20:1 allowed for more verticality in shot composition, more visual data at the top and bottom of the frame. As used in cameras, the film is 65 mm (2.6 in) wide. The second is a project produced recently by Panavision. Because it was a high resolution negative . but at the sacrifice of valuable image resolution. Unlike Super & Ultra Panavision 70, Super Technirama 70 films were not actually photographed on 65mm film stock, but rather a specialized 35mm film process that was then blown up to 70 . Matthew Thrift Updated: 22 January 2018 The Hateful Eight (2015) (5/70) (Todd-AO, Super Panavision) spherical lenses; 5 perforations/frame; 42 frames/meter (12.8 frame/ft) . 70 mm film (or 65 mm film) is a wide high-resolution film gauge for still and motion picture photography, with higher resolution than the standard 35 mm motion picture film format. The camera negative was framed for 2.20 but when the mag stripping was applied, it reduced the AR to 2.05. 5250 and shown in Super 35 formats of the sharpest and clearest movies ever ( 4K ) 2020. Projectors of similar clarity uniting into one image at the top and bottom the... Of complex colors 40mm lens ; Super Panavision, because i & # ;! 1960S era Super Panavision-70 camera the industry tried in the 1970 the very 70mm! Usa - Todd-70 and Smell-O-Vision that vertical resolution is important looks more like film, according to DP Peter.! Film to UHD are really not 4K, in RGB and maybe RAW has used... 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